My objective for any client is to aid in the project development in the most inclusive way of all consulting and action that I can offer. I always hope to leave things better than they were found and to enlighten others to new and exciting ways to expand visions to new heights. Below you'll find some more details of the different types of services I provide. You can find most of your creative needs in one place with me. I hope you'll find that many of these offerings blend into each other, creating the best possible outcomes for both enjoying the creative process and, finally, your creative project.
My company accommodates our clients at our professional dance spaces and production house in London, UK.
COMMERCIAL / STAGE CASTING & CHOREOGRAPHY
Dance and choreography on stage should represent a dynamic, expert perspective, which amplifies the vision of a production while pushing boundaries, creating a USP, and maintaining commercial viability. Sourcing talent should be based on both a unique positioning of dance and the malleability of the artists to suit the project needs. Developing a complete inception of the production and its involvement with dance is important for achieving a successful final product.
EVERY DANCE IS A KIND OF FEVER CHART, A GRAPH OF THE HEART. MARTHA GRAHAM
Artistic Development is the alignment of movement with the artist's character in a way they will eventually adopt as part of their overall identity. Developing an artist through movement is about presence and permanence in their future as a cultural influencer.
Coordinating the creative elements of any production is something of an art and a science, which requires the knowledge of how longt o allow for building and the expertise to act on time, so that all bases are checked and its full potential can be realized. It's important to have creative direction on your team that understands both the 'robotics' of deadlines and the hearts of artists. In doing so you will always save tons of time, costs, and allow for the best surprises to come forward throughout the creative process.
ATTEMPT THE IMPOSSIBLE IN ORDER TO IMPROVE YOUR WORK. BETTE DAVIS
CREATIVE PROJECT MANAGEMENT
It's not really about how many followers you have. While this establishes some form of reputation it's also important to understand how your connection to your followers tangibly furthers your influence and generates revenue within your company.
After all, we should know what kinds of benefits our positive reputations serve us, right? There are many tools and resources available to achieve this understanding and, when positioned correctly, often expand our dreams, aspirations, and ultimate potential.
Clearly defined Internet marketing strategy is the most wide-reaching form of presence any creative company can have to its target customer in this age. Understanding advertising, web copy, web design, and instincts related to the most effective way to grab attention are the roots of a successful offering of your reputation to your followers. This, as long as what you offer is pure and targeted to generate revenue and the expansion of your vision.
TECHNOLOGY IS NOTHING. WHAT'S IMPORTANT IS THAT YOU HAVE A FAITH IN PEOPLE, THAT THEY'RE BASICALLY GOOD AND SMART, AND IF YOU GIVE THEM TOOLS THEY'LL DO WONDERFUL THINGS WITH THEM. STEVE JOBS
I am always on the lookout for new partners to develop fresh concepts, which lead to housing the newest upcoming waves in creative cultures. We take care of all the smaller parts the machine requires to function properly, and leverage the current resources of our home company and partners, to foster mega initiatives that could not happen without such seamless collaborations.
A studio is merely a vessel for incredible things to happen in the arts, and it's important that this is done right to allow it to be a beacon for artistic visions, new brands, genuine upcoming talent, and more. It is through this philosophy that we are able to expand and provide the hardest working, the best, and the brightest.